Stunning Monteverdi-Young Cabinets

Juan brought back the pair of Monteverdi-Young Cabinets that I posted about last week. And they are fantastic. Juan has the perfect touch when it comes to furniture restoration (or fabrication)--only the tops needed to be refreshed and a small hole (drilled for cables) on the backs repaired. He has the patience and knowledge to perfectly match and restore a surface and that is an invaluable talent in this business.

This chest has all of the bells and whistle required of a mid-century cabinet: the proportions are perfect, there are hints of its asian influence, the custom brass work is original, showy and well-detailed and THERE IS A PAIR OF THESE GUYS. Plus the chests are multi-purpose and can be used in a variety of way....even lined up as a buffet.

Just going to add a few more detailed photos. Jones really likes them (at least his nose does). 

    

The inlaid bras filament is characteristic of American made mid-century furniture. Juan very slightly polished the brass strip without damaging the surface.






The custom hardware is beefy without being cumbersome or out of proportion.

The Glitch is rearing its ugly head again. Ooops, I think that I just overcame it.

I'm not sure what (if anything) I'm doing wrong, but this software is not Mary-friendly. I've got to go back to Nathan to see what is not happening.

So I had best sign off.

Thanks for sharing my journey.

Mary and Jones (and poor Cole)

Channeling Ralph Lauren II

I thought that I would slip in a little update on Mr. Lauren and me. The tables have been stripped and Roberto (my life saver) has completed the sanding and filling of the little table. Every piece of vintage/antique furniture needs more than simple stripping before it can be refinished. The most crucial part is filling any imperfections and sanding the surface to perfection before painting. I chose a soft, chalky warm off white. The first coat is on the pedestal and we are waiting for the filler to dry before final sanding....it is a process. 

Here are details of the first coat of white, tomorrow the table gets its second coat of white and then the carving will be highlighted with a soft gray and a light sanding and patination will be applied as the final step. As you can see, the carving is beginning to show its stripes.  Just look at the great detailing on the ball and claw feet--talons anyone?

     

Juan is picking up the more elaborately carved table in a couple of days. The preparation for this table is more complex as it involves stripping, bleaching the mahogany, filling, sanding, washing with color, more sanding, patination and finally a colorless hard paste wax. (This is why professionally restored pieces are so pricey, but they look fantastic).

Thanks for sharing my journey. 

Mary, Jones (and Cole)

**Next up for my edition of Ralph Lauren are deep cobalt and ivory Indonesian Batik pillows (still looking for the backing).

Channeling Ralph Lauren

Ralph Lauren "Rosecliff"

Let me simply state from the get-go: I am not a frilly type of person. I love later Louis XVI, Regency, Biedermeier (I can spell it right!) and French Restoration furniture. Beautiful French Deco Ruhlman pieces, Gio Ppnti and the like make my heart happy. But lately, I have been attracted to more curvaceous pieces (Madame Victoire/Louis XV Bombe Commode and and Louis XV sofa)...but there is more to it than that. Wicker is calling to me; I lacquered a pair of Louis XV consoles in soft white, there is the Louis XV Deco Venetian bergere and the antique French ticking pillows that I just had to create.....you get my gist.

Madame Victoire w/ Antique Ticking Pillows 

    

Soft White Louis XV Console

And it is not only these pieces, two weeks ago at Auction I almost bought the antique version of this Ralph Lauren writing desk, but stopped because I didn't understand why I wanted it when I usually don't feel any attraction to wicker.

(The glitch has raised it's ugly head and I can't load the photo...)  See the single brass double armed sconce in the upper left hand corner of the top photo---I have a couple of pairs of similar (but antique) sconces that could substitute for it (and I bought them many months ago).

And then, last week, I open Habitually Chic's (Heather Clawson's fantastic blog) post on Ralph Lauren's new home line "Rosecliff" ...and the rest is history. I finally understood what had been going on inside my spirit: I HAVE BEEN CHANNELING RALPH LAUREN.  RL Home is calling its new line "cottage style" and it is a beachy happy, coastal and inviting design aesthetic (we will not mention "shabby chic" out loud--as it's a dated term with many different connotations). As I think about design trends and social mores, I realize that what I (and hosts of others) have been craving is a return to homes that embrace you as you walk in the door. Homes that you can't wait to return to or walk into because of a deep-seated need to retreat from the gloomy (now a bit brighter) economic and world concerns (Gas Prices?)--homes that embrace. Curves (think sexy legs) muted colors, soft surfaces, wicker, ticking and especially blue and white plus patinated gold are the design vocabulary that speaks to and meets just these needs. These design elements are dreamy and echo more carefree (as in less connected) times. I think that Ralph and I are on to something....I'm a bit tired of "industrial" (not crazy about rust and dust), rustic isn't even near my aesthetic (except in a very isolated mountain cabin)--I do not like splinters and torn upholstery and exposed innards makes me want to pick up a needle and thread or call the upholsterer--especially now that RH has come out with un-upholstered upholstery pieces.

The other part of the equation is that 2012 brings a return to the honoring of the feminine. We are cetainly in a time which heralds a new and creative way of organizing life and our priorities. As we have all experienced, the old way is failing. The feminine is the creative force in our world that will bring new ways of living... Mr. Lauren certainly started designing the "Rosecliff" product line many, many months ago, and that is precisely when I started buying Louis XV-style pieces--must have been channeling each other.

Just for fun I'm going to counterpoint the "Rosecliff" piece against my antique or vintage inventory pieces. The Lauren pieces are gorgeous, but I always think that antique pieces (even some vintage pieces) are superior as they are usually less expensive and hold their value better.

  

Mr. Lauren has a large and very gorgeous dog.






I have a large and very gorgeous dog.

The "Rosecliff" line includes a lovely blue&white porcelain lamp. But take a look at my pair of vintage (I think that they are Marbro) blue&white porcelain lamps--not a bad match-up, and you get two for about the price of one.

   

Here is the beautiful RL lamp. I would have preferred a deeper cobalt blue...

   

Here is my pair of mid-century blue&white porcelain lamps in a chinoiserie candlestick shape.

"Rosecliff" white 1920's style pedestal table---it's quite pricey and a reproduction of a 1920-1940 piece.

   

I know, I'm shameless: I'm copying Ralph Lauren, but with a vintage 1940's mahogany table with very detailed carving.

(Notice Jones helping strip the table)

I'm not going to paint this table white, rather bleach it to tone down the red in the mahogany and then just barely wash it in a soft white and finally sand and apply a hard paste wax. The great 40's carving will really stand out finished in this fashion and not be filled with paint that hides the details.

I think that this gorgeous seahorse table is more than equal to any of the "Rosecliff" offerings. It dates to the 40's (and has its copy right mark on the bttom front), is cast cement and has acquired a wonderful patina. I have it paired with a 40" round glass top, but it could just as easily be a side table with a smaller top. The detail on the seahorses is great (this is the real deal--I have seen other copies that do not equal this example).

Aren't those horses gorgeous?? (See Jones in the back ground??--such a great worker)

Ralph Lauren has a beautiful Faux Bamboo rendition of a 19th century Faux Bamboo Armoire that he is also showing with the "Rosecliff" line. It is a great armoire, but IT IS NEW. I'm going to counterpoint the faux bamboo armoire against my 18th c. French Pine Armoire from Normandy--which is quite petite for a period armoire and fits easily into smaller scale homes. And IT IS OLD AND PERIOD AND WILL HOLD ITS VALUE.

  

     

This is great faux bamboo by Mr. Lauren--and super practical.

     

       

Here is my period Louis XV Armoire from Normandy--all fitted with shelves and I even have the key.

(My period armoire is much much much less pricey than the new faux bamboo)

Truth be told, I love both of these examples!!

   

   

The above upholstered pieces are great examples of new Ralph Lauren Louis XV and XVI style upholstered pieces---now let's look at my c. 1840's Louis XVI chair (not quite period, but almost) and the RL pieces are many thousands more.

I know that I and tooting my own horn, but I figure that's OK since it is my blog. And Mr. Lauren can easily weather any storm that I might inspire.

I hope that this year brings a return to a great embracing design aesthetic, an aesthetic that is enriched by elements of the recent design themes, but continues to be based on the enduring principles of comfort, classic design, great materials, layering and NO TRENDINESS ISSUES.

Thanks for joining me on this crazy journey.....I'll post photos of the complete 40's table when Juan brings it back to me.

xoxoxo, 

Mary (and Jones and poor Cole)

   

Steuben and Almost Baccarat--It's been a glass week

I'm still having problems with the software--working on the problems (but geeeezzzzz).

I thought that I would post a quickie and ignore the technical stuff. 

There hasn't been that much to buy at my favorite auction house, so I have taken a bit of a buying break. It does feel good to not feed my addiction, but I must get back to my usual buying as you "can't sell from an empty cart."

Aren't these babies some of the most gorgeous pieces of glass you've ever seen?

Unfortunately, these great (French?) Deco molded and frosted glass bookends are not marked, but they are equal to Lalique, Baccarat or Sabino glass of the early 20th century.  These Jaguars/Panthers are big--10.5 inches long by about 8.5 inches high. Each one of these jaguars could stand on its own merits as sculpture--the casting work is top quality with the original mold carving giving a great Deco angular depth to the musculature. 

Not only did I bring home the glass Jaguars, but I also scored this great Steuben "Trillion" footed bowl by Donald Pollard that dates to the 1950s.

   

  

I wasn't very successful in capturing the beautiful clarity of the Steuben crystal in these photos--but it is truly exceptional. Once again, this is a big piece of art glass, measuring 10" in diameter. The true shame is that Steuben in no longer with us--Steuben Glass was an American Treasure and is greatly missed in our creative landscape. (Once again, the failure of bottom-line accounting decision making) Nevertheless, this Steuben bowl would add a lot of sparkle to any room--place it on a mid-20th century case piece and it would be spectacular. And it is a beautiful piece of American history.

I also scored a great pair of Monteverdi Young cabinets in an asian inspired form and better yet....(drum roll...) a very unique Edward Wormley coffee table--these pieces were all in great condition for their age (50-60 years) and are out getting their original finish spiffed up. They will be featured in a subsequent post.

Thank you for letting me share the ups and downs of my adventures.

Mary

TECHNICAL DIFFICULTIES

I am having technical difficulties (again)--I just can't seem to be able to position the photos where they are supposed to be--and then I get ghost photos (no actual photos but the pages acts as if there were photos in place).......so my amazing tech guy is coming tomorrow to help me.

But I've written (almost finished except for the darn photos) a post on regency chairs (klismos) and another on modern............

Please stay tuned...........Mary