UPDATES and WILD SALMON

The rock crystal beads that I had ordered from China arrived last Friday and I finished the rock crystal sconces yesterday. When I opened the rock crystal beads, I was so disappointed because they were not what I thought I had ordered, but after dwelling on them, I decided that they might work.  And they did. (I decided to be open to receiving what the beads were presenting--and not be so damn controlling for once!)

  

And here's a close-up:

  

I had Roberto hang them framing my early 18th c. French Nichols de Largilliere (and studio) painting of a French royal. She is gorgeous and I love her (the photo doesn't do her justice)--the frame is a French Deco mirrored frame. The frame is obviously not of the period (and everyone complains) but it works for her and is a work of art by itself. Madame will probably be going home with me soon. We have a complicated and entwined history and I do miss her. I think that I will hang the large Imari chargers that I purchased a couple of months ago just below the sconces to add a little heft.

  

Roberto is coming tomorrow and I hope that we can finish the Dutch mirror and get it hung. Also, IT IS THURSDAY!! Auction time.  I can't buy any furniture (famous last words) as I have not a single inch of space--and it is the smalls that are selling well right now. We'll see.....

Costco had the most gorgeous wild salmon yesterday. (You all know the reasons not to buy farm-raised salmon, right? Hormones, antibiotics, raised in very tight spaces, farm-raised salmon contaminating wild salmon, etc., etc., etc.,)

So I'm preparing the salmon filet with pesto, a little lemon juice and covered with a generous overlay of organic baby spinach (sealed in foil)--all baked together (400* oven until just done) until the salmon just begins to flake--yum). This is super healthy and delicious--with the layer of pesto and then the spinach the salmon stays really moist.

Wish me luck tomorrow--I guess I mean--let me be open to what is presented with the day.

Jones says "hi"--with the cooler nights he and the cats have returned to their usual spots on the bed--it can be a little crowded (especially when bad boy Mini decides to attack Maddy).

Be well.

Mary and Jones

Japanese Imari Love

I have been pondering how to express what I feel when I catch a glimpse of Imari porcelain. I could easily slip into the history, descriptions, references: blah, blah, blah.  But that would not express the immense joy that I feel deep down when I experience beautiful pieces of Imari porcelain. Just a quick note: Imari Porcelain dates to the 17th c.; was/is created in Arita, Japan and exported from the port of Imari. (The Chinese adopted it and created Chinese Imari-a softer color palette-and "Tobacco Leaf". The Dutch used it as inspiration for Delft pottery. The English were inspired by Imari to create the amazing Derby--later Royal Crown Derby and Spode Imari ware). Imari also includes what is commonly referred to as Arita ware, a strictly blue and white decoration. But here I'll stick to traditional Imari patterns--true love.

The pieces that I have date to the Meiji period (1868-1912), but the truly exceptional Imari, the wonderful original abstractions date to the mid-17th to mid-18th century. Please Google Imari for more info and early examples of Imari.

I love how the deep cobalt blue of the patterns brings light, energy and joy to each piece. How the red holds my attention to focus on the intricate details of the patterns--florals, abstracts, dragons, mandalas, various shaped reserves and diapering (not the kind worn by babies) formulas. The variety of design and the creativity encompassed seems to be unique to Imari--there is a primitive artistic expression that is hidden within a refined and defined structure. And all of it calls to me. If I close my eyes I can almost imagine Jackson Pollack painting Imari plates--especially the more intricate examples shown at the end of the post--these are very busy, almost gaudy pieces (in fact, Gaudy Dutch and Gaudy Welch pottery derive from Imari, also) but are full of energy and emotion.

Just a few of the pieces that I have saved for myself:

   

I recently acquired this stunning pair of Imari chargers (12" diam.) that date to the Meiji Period, c. 1870-80. Yes, they are later, but the the energy of creativity is still very present. Note how the top plate was painted by an artist with a freer, more creative hand; the bottom plate is gorgeous, but just a little stiffer. Guess which one I love just a little bit more. My collector friends pooh-pooh these guys, but for my purposes they are perfection. (The early Imari price points can be atmospheric--while Meiji Imari is still within reach.) They are in my shop.

Now, a quick counterpoint to the Meiji pieces are these c. 1960-80 Japanese Imari vases fitted as a lamp (I have a pair of these beauties) in a Chinese Imari color way. Note the softness in the blue and oranges, the design is definitely a departure from traditional Imari, but still beautiful--note the traditional diaper to the rim of the vases. These are big, beefy vases (16.5" h) and note that the integrity of the porcelain has not been compromised (OH! Horrors!!) by drilling for the cord. I love the gold leafed bases--really gaudy, but great.

I acquired these two sets of Imari rice bowls quite a few years ago. And I love both of these examples, but they are quite different. The more simple bowl is earlier, probably Edo Period (c. 1840-1860), has a taller foot rim and a freer, more primitive decoration. The second example is Meiji, late 19th c.; is very refined with gilt detailing and more intricate decoration. The bowl itself is lobed and light in feel.

Late Edo Period

   

Late Meiji Period

Late Edo Period

Late Meiji Period

       

Late Edo Period

Late Meiji Period

     

Note: the "dragon" decoration to the bottom of the rice bowl of the late Meiji Period--this added detail gives another indication of the quality of the piece.


The next two dishes are much more every day dishes and I use them as under plates for my orchids--their simplicity is charming.

I've download a few Imari pieces from 1stdibs.com (shown below), but you can search further on Google. Every time I go "shopping" on either site, I start drooling.

English Imari

Chinese Imari, Early 18th c.

Green Palette Imari

Spode Imari (English)

(Well, I got rid of the "jump", but came up with the white highlight????--I   guess, I'm convinced, that there is no such thing as perfection.)


Thanks for joining me on this hunt....Be well.


Mary, Jones and Cole