Monday, July 2, 2012

I Love Klismos Chairs


     



Examples of Grecian Klismos Chairs found on Ceramics


Grecian Klismos Chair
I have a passion for just about everything neoclassical, but neoclassical chairs send me into another realm. And those of you who are addicted to chairs know what I mean. In fact, I have instructed my friends to hold my hand/arm down whenever they see me bidding on more antique chairs... At one point I had over 40 chairs in my smallish shop (and that does not include sofas and benches/stools). I can look at a chair, associate it with the hair style of a certain era and immediately visualize who may have been sitting on it and what she was wearing....just a little distorted (I know).


This a superb example of a Baltimore
painted and gilt  "fancy chair"
The examples of Grecian chairs from the 5th or 4th centuries B.C. are the models from which all subsequent klismos chairs derive. The Grecian chair first appeared in the 4th c. B.C.; was perfected in the 5th c. B.C......and then saw it's first resurrection in Paris of the late 18th c., around 1786-87 and was further developed by the the French Maitre, Georges Jacob. The klismos chair, and Neoclassicism, reached its peak in the early 19th c. with French Empire and English Regency, Swedish Gustavian and German/Austrian Biedermeier.  In the mid-20th century the "Hollywood Regency" style prompted a revival of the neoclassical form.  


Here are a few examples of early 19th c. klismos chairs.


Early 19th c. American Klismos Chairs
Note the beautiful front saber legs terminating in carved paw feet on these gorgeous American chairs that were created in Boston. The swagged backs reference Grecian drape.


Antique Klismos Chairs

Regency c. 1805 Klismos Chair


     
The chair directly above the pair of Gustavian Blue seated klismos chairs is a Michael Smith designed chair that references the best of English neo-classical Regency design. And the Gustavian, early 19th c. Swedish side chairs are also perfection.


Steven Gambrel Klismos

Steven Gambrel Klismos

Robsjohn-Gibbings Klismos Chair c. 1937,  Metropolitan Museum 

 Now, I'm finally getting to the reason I decided to post on Klismos chairs. I was perusing the Derring Hall site the other day and came upon this fantastic NEW Neoclassical klismos chair by Steven Gambrel.......At first glance, this chair appears to be really great: cerused oak, very dramatic Grecian form, definitely a riff (sp?/real word?) on Robsjohn Gibbings mid-century design as shown directly above.


I love the design aesthetic of Steven Gambrel--I have not seen a single room designed by Gambrel that I would add to or subtract from--that said: I really don't think that the design of these chairs is up to his usual high standards. The form is highly stylized and elongated, but comfortable?....not too sure. Take note of the wood projections to the front of the seats---I can only imagine getting hung-up on these square off pieces of wood. Yes, they mimic the Robsjohn-Gibbings chair, but lack the grace and construction details of the earlier chairs. Also, (in my humble opinion) the legs are chunky and clunky rather than anticipated elegance of traditional Klismos chairs. I think that these chairs come off as impressive and stagey rather than patrician. The cerused oak is gorgeous. I think that you'll get a better idea of what I mean by comparing Steven Gambrel's chair with other examples of klismos chairs. Below are examples additional examples of iconic Robsjohn-Gibbings mid-century chairs. The connection of the first klismos chair to the Gambrel chair is clearly evident. I guess I just wish that Steven Gambrel had stayed a little closer to his personal design criteria.








Robsjohn Gibbings Klismos Chair by Saridis





Robsjohn Gibbings Klismos Dining Chair









Mid-Century Stylized Klismos Salon Chairs

These super elegant Klismos-inspired mid-20th c. Salon Chairs are another example of great American design. I have sold several versions of this chair--they always make a room sing--to bring it into 21st century design, the upholstery could be switched out to a high-end Ikat.

And now............


Mary's Mid-Century Klismos Chairs
   



     
Guess where these beauties currently reside? Yep, they are mine. I have a set of 8 of these gorgeous mid-century lacquered and brass inlaid Klismos dining chairs. They date to the late 1940's/early 50's and are in great original condition. Three of the chairs have had their cane seats replaced (you cannot stand on caned seats!!), otherwise they are all original with brass details to the back rail and seat rail.

              AND THEY ARE REDUCED FROM $4800.00 TO $3200.00
                                    FOR MY SUMMER SALE

This is a fantastic price (only $400/each) for a set of eight perfect klismos chairs and in this condition. (Note: I have a period English Regency 54" round solid mahogany table that would be the perfect partner for these great chairs--not listed on my website).

Please check out my website  mjhdesignarts.com  for more neo-classical pieces that are currently reduced.

(PLEASE: forgive the mis-steps in formatting this post---can't quite figure out the ins and outs--stick with me).

Thanks for joining me on this adventure.

Mary and Jones (and Cole)

Sunday, July 1, 2012

ANNUAL SUMMER SALE

I Started My Annual Summer Sale Today...
mjhdesignarts.com


ANNUAL SUMMER SALE

20% to 40% Off

EVERYTHING!!!



Please contact me for pricing, information or additional photos using the link provided on each item page.  mjhdesignarts.com

Jones says "hi"...
















   
ETC., ETC., ETC....


* I can't get the link to my website to work; so you will have to enter the web address--sorry.  Mary
     **************************************

Japanese Imari Love



I have been pondering how to express what I feel when I catch a glimpse of Imari porcelain. I could easily slip into the history, descriptions, references: blah, blah, blah.  But that would not express the immense joy that I feel deep down when I experience beautiful pieces of Imari porcelain. Just a quick note: Imari Porcelain dates to the 17th c.; was/is created in Arita, Japan and exported from the port of Imari. (The Chinese adopted it and created Chinese Imari-a softer color palette-and "Tobacco Leaf". The Dutch used it as inspiration for Delft pottery. The English were inspired by Imari to create the amazing Derby--later Royal Crown Derby and Spode Imari ware). Imari also includes what is commonly referred to as Arita ware, a strictly blue and white decoration. But here I'll stick to traditional Imari patterns--true love.

The pieces that I have date to the Meiji period (1868-1912), but the truly exceptional Imari, the wonderful original abstractions date to the mid-17th to mid-18th century. Please Google Imari for more info and early examples of Imari.

I love how the deep cobalt blue of the patterns brings light, energy and joy to each piece. How the red holds my attention to focus on the intricate details of the patterns--florals, abstracts, dragons, mandalas, various shaped reserves and diapering (not the kind worn by babies) formulas. The variety of design and the creativity encompassed seems to be unique to Imari--there is a primitive artistic expression that is hidden within a refined and defined structure. And all of it calls to me. If I close my eyes I can almost imagine Jackson Pollack painting Imari plates--especially the more intricate examples shown at the end of the post--these are very busy, almost gaudy pieces (in fact, Gaudy Dutch and Gaudy Welch pottery derive from Imari, also) but are full of energy and emotion.

Just a few of the pieces that I have saved for myself:


   
I recently acquired this stunning pair of Imari chargers (12" diam.) that date to the Meiji Period, c. 1870-80. Yes, they are later, but the the energy of creativity is still very present. Note how the top plate was painted by an artist with a freer, more creative hand; the bottom plate is gorgeous, but just a little stiffer. Guess which one I love just a little bit more. My collector friends pooh-pooh these guys, but for my purposes they are perfection. (The early Imari price points can be atmospheric--while Meiji Imari is still within reach.) They are in my shop.

Now, a quick counterpoint to the Meiji pieces are these c. 1960-80 Japanese Imari vases fitted as a lamp (I have a pair of these beauties) in a Chinese Imari color way. Note the softness in the blue and oranges, the design is definitely a departure from traditional Imari, but still beautiful--note the traditional diaper to the rim of the vases. These are big, beefy vases (16.5" h) and note that the integrity of the porcelain has not been compromised (OH! Horrors!!) by drilling for the cord. I love the gold leafed bases--really gaudy, but great.



I acquired these two sets of Imari rice bowls quite a few years ago. And I love both of these examples, but they are quite different. The more simple bowl is earlier, probably Edo Period (c. 1840-1860), has a taller foot rim and a freer, more primitive decoration. The second example is Meiji, late 19th c.; is very refined with gilt detailing and more intricate decoration. The bowl itself is lobed and light in feel.

Late Edo Period
   

Late Meiji Period


























Late Edo Period
Late Meiji Period
       
















Late Edo Period






















Late Meiji Period
     





































Note: the "dragon" decoration to the bottom of the rice bowl of the late Meiji Period--this added detail gives another indication of the quality of the piece.


The next two dishes are much more every day dishes and I use them as under plates for my orchids--their simplicity is charming.




I've download a few Imari pieces from 1stdibs.com (shown below), but you can search further on Google. Every time I go "shopping" on either site, I start drooling.
English Imari



Chinese Imari, Early 18th c.

Green Palette Imari





Spode Imari (English)
(Well, I got rid of the "jump", but came up with the white highlight????--I   guess, I'm convinced, that there is no such thing as perfection.)


Thanks for joining me on this hunt....Be well.


Mary, Jones and Cole